Author Tags: Essentials 2010, Journalism, Literary Landmarks
LITERARY LANDMARK: Bruce Hutchison Public Library, 4636 Elk Lake Drive, Victoria, located 20 minutes north of the Empress Hotel, along the Patricia Bay Hwy/BC-17. Turn left onto Royal Oak Drive, then right onto Elk Lake Drive.
Built in 1993 as part of the Saanich Commonwealth Recreation Centre, this branch of the Victoria Public Library system opened in October of 1994 and was named in honour of Bruce Hutchison who had died in 1992. Revered as "journalism's sage" and "the dean of Canadian journalists," Bruce Hutchison also received three Governor General's Awards for literature--an unprecedented accomplishment for a B.C. author.
QUICK REFERENCE ENTRY:
As a veteran newspaperman, Bruce Hutchison was most widely known as an influential fixture at the Vancouver Sun. He somehow managed to write sixteen books, most notably The Unknown Country: Canada and Her People (1942), produced in about six weeks. “I didn’t know anything about book writing,” he once told Trevor Lautens. He wrote the book only because he was asked to do so by an American when he was visiting New York, hence the title is from an American perspective. It received the Governor General’s Award for Non-Fiction, as did The Incredible Canadian: A Candid Portrait of Mackenzie King, His Works, His Times and His Nation (1952) and Canada: Tomorrow’s Giant (1957).
Less well-known are his rare attempts at fiction. Bruce Hutchison's story called "Park Avenue Logger" published in The Saturday Evening Post on November, 30, 1935 became an American movie of the same name in 1937, directed by David Howard. It was also known as Millionaire Playboy in the U.K. and re-released in North America as Tall Timber.
Published near the end of WW II, Bruce Hutchison’s only novel, The Hollow Men (1944), is a rarely-mentioned portrait of a journalist named Leslie Duncan who is torn between his father’s beloved Cariboo ranch and his political responsibilities in both Washington, D.C., and Ottawa (“the counterfeit little world on Parliament Hill”) during WWII. Leslie Duncan yearns to be something more than another of the “hollow men” described in T.S. Eliot’s famous poem. The Hollow Men is an unusually sophisticated portrayal of both the country life of ranchers and the limitations of politics. It evokes the plight of a B.C. intellectual who feels alienated from the centres of power: a timeless subject for anyone west of the Rockies.
Nauseated by the intrigue and interminable talk of Ottawa, Duncan is likewise disillusioned by the staged bravado and empty mythology of the United States. Life at his Cariboo ranch is the answer but, like the noble Cincinnatus who felt obliged to leave his family farm and serve in ancient Rome, Duncan repeatedly gets his hands dirty in politics to further the public good. His goal is to secure suitable irrigation for his district and, in order to do so, he compromises his relationship with his wife, losing his soul in a web of betrayals orchestrated by lesser men.
Bruce Hutchison has been described as 'journalism's sage' and 'the dean of Canadian journalists'. He was a rare British Columbian who received three Governor General's Awards for literature.
Bruce Hutchison was born in Prescott, Ontario on June 25, 1901 in the family home at the corner of Dibble and Edward Streets. As an infant he was brought to Cranbrook, B.C. He was raised in Cranbrook and Merritt before the family moved to a bungalow on Wilmer Steet, Victoria, as described in his autobiography, The Far Side of the Street (1976). His later book Uncle Percy's Wonderful Town (1981) depicts smalltown life in the fictional town of Emerald Vale, based on his experiences in Merritt. For many years, the site of the Hutchison family farm off Quadra Street in Victoria remained as a lovely green oasis among the suburban housing until it was subdivided in the 21st century.
His mother Constance was a Christian Scientist; his father John was baptized by Pope Pius IX; but Bruce Hutchison was brought up as an Anglican. He worked for newspapers ever since he began as a high school correspondent for the Victoria Times in 1918. At age 20 or 21 he began to cover the B.C. Legislature. In the 1920s he also wrote pulp fiction, a novel and a film script called Park Avenue Logger. It was produced by Hollywood. He became a political reporter in Ottawa in 1925. That year he married Dorothy Kidd McDiarmid. They had two children. He first went to Washington D.C. in 1933. He covered the Imperial Conference and the coronation of King George VI in 1937, visiting Hitler's pre-war Germany in the process. He first worked for the Vancouver Sun in 1938 and served as its editor from 1963 to 1979. He was editor emeritus after that. He was assistant editor on the Winnipeg Free Press from 1944 to 1950. He then became editor of the Victoria Daily Times until 1963. His primary allegiance as a writer was always to journalism and non-fiction. "I was so interested in the business that I never got out," he said, turning 80, "and here I am still at it." A library in Victoria is named in his honour and he won three National Newspaper Awards, plus the Bowater Prize.
Hutchison's only published novel, The Hollow Men (1944), evokes the plight of a B.C. intellectual who feels alienated from the political centres of power. A political journalist named Leslie Duncan is torn between family life on his father's beloved Cariboo ranch and his professional duties during World War II in Washington D.C. and Ottawa ("the counterfeit little world on Parliament Hill"). Nauseated by the intrigue, interminable talk and unalterable weariness of Ottawa, and finding himself disillusioned by the staged bravado and empty mythology of the United States, Leslie Duncan strives to be something more than another of the 'hollow men' as described in T.S. Eliot's poem, from which the title is drawn. He betrays his liberal/Liberal sensibilities to accept a CCF nomination in his home Cariboo riding to satisfy his 'appetite for the land'. He hopes to secure badly needed irrigation for his district. The novel is a rare and authentic view of British Columbia from the 1940s and deserves a wider reputation.
Hutchison is chiefly celebrated for his non-fiction, in particular The Unknown Country, written in about six weeks. "I didn't know anything about book writing," he told Trevor Lautens, "I don't think it was the best thing I did by any means." He only wrote the book because he was asked to do so by an American when he was visiting New York, hence the title (from an American perspective). It received the Governor General's Award for Non-Fiction, as did The Incredible Canadian and Canada: Tomorrow's Giant. Bruce Hutchison’s biographical portrait of Prime Minister William Lyon Mackenzie King, The Incredible Canadian, was reissued with an introduction by Vaughn Palmer in 2011 from Oxford University Press.
In 1961, Hutchison was the first to receive the Royal Society of Arts Award for Distinguished Journalism in the Commonwealth. His autobiographical The Far Side of the Street won a Canadian Authors Association Award. He won three National Newspaper Awards and the Bowater Prize.
Hutchison published three reflective and lighter works in his later years. The first was a nostalgic fictionalized memoir of growing up in 'Emerald Vale, B.C.', as viewed through the eyes of a 14-year-old narrator. It was called Uncle Percy's Wonderful Town (1981) and it was a finalist for Leacock Medal for Humour. The second was a series of short pieces from a rural viewpoint With illustrations by Marion Dahl, A Life in the Country (1988) was Hutchison's philosophical equivalent to Walden Pond. It was derived from his love for a cottage at Shawnigan Lake and the eleven acres he owned in Saanich, where he had lived since 1925. His final book was fictional: The Cub Reporter Learns a Thing or Two (1991). Bruce Hutchison died on September 14, 1992, in Victoria. "The history of Canada," he wrote in 1953, "for about three hundred years was a struggle to escape from the wilderness, and for the last half century has been a desperate attempt to escape into it."
[The Hollow Men was not the first attempt to depict the Cariboo in fiction. Robert Allison Hood’s melodramatic rancher-as-hero tale, The Chivalry of Keith Leicester: A Romance of British Columbia (1918) is an even more obscure novel. Ann Walsh’s young adult novel Your Time My Time (1984) is a time-travel bestseller set in Barkerville. Ethel Wilson’s Hetty Dorval (1947) deserves more attention than her better-known Swamp Angel (1954) or Sheila Watson’s The Double Hook (1959) and Deep Hollow Creek (1992). Critic Robert Wiersema highly recommends The Reckoning of Boston Jim (2007) by Claire Mulligan, shortlisted for the Ethel Wilson Fiction Prize and longlisted for the Giller Prize in 2008. Touched by the kindness of Cowichan Valley settler Dora Hume, a lonesome trapper named Boston Jim decides to search for Dora’s capricious husband in the gold rush town of Barkerville in 1863. For other fiction authors pertaining to the Cariboo-Chilcotin, see Essentials entries for Paul St. Pierre and Alan Fry. Also see abcbookworld entries for Gallaher, Bill; Krumm, Stan; Petersen, Christian.] 2010.
The Unknown Country: Canada and Her People (1943), a panorama of Canada
The Hollow Men (1944)
The Fraser (1950), for the Rivers of America series
The Incredible Canadian: A Candid Portrait of Mackenzie King, His Works, His Times, His Nation (1952, 2011)
Canada's Lonely Neighbour (1954)
The Struggle for a Border (1955)
Canada: Tomorrow's Giant (1957)
Mr. Prime Minister: 1867-1964 (1964) / condensed as MacDonald to Pearson: The Prime Ministers of Canada (1967)
Western Windows (1967), a literary study
Canada: The Year of the Land (1967), with National Film Board production
The Far Side of the Street (1976), autobiography
Uncle Percy's Wonderful Town (1981)
The Unfinished Country: To Canada with Love and Some Misgivings (1985). Edited by Vaughn Palmer.
A Life in the Country (1988).
The Cub Reporter Learns a Thing or Two (1991)
A Life in the Country
IN 1924 A YOUNG VICTORIA DAILY TIMES reporter named Bruce Hutchison: fenced a dozen acres of cheaply: purchased meadow outside Victoria. “After studying nature's alphabet for: a decade or two I learned to read a little of it."
Believing that humans divorced from nature lose their vital juices, Hutchison, the only British Columbian to have earned three Governor-General's Awards, has maintained his contacts with gardening and nature at a Shawnigan Lake cabin throughout his long newspapering career.
Now Hutchison, 87-year-old editor emeritus of the Vancouver Sun, has gathered his bumper crop of memorable characters, woodshed ruminations and garden variety common sense for a lyrical as well as critical tribute to the seasons and the earth, A Life in the Country (D&M $18.95).
"Looking out the window today on the field the valley, the blue hills, and in memory, the cabin and the forest," he writes, "I regret my own numberless faults but not a life in the country." How the memoir has been written is as important as what it relates. Poised Wordsworthian flourishes are balanced by a very formal humility. A newspaperman's sardonic humour alleviates the seriousness of a practised editorialist. Hutchison, in the tradition of the intellectual rustic, is planting some clear thoughts for posterity.
"In Canada, a nation so young, so close to the pioneers who made it, millions of kids have known nothing better than crowded government campgrounds with running water, free firewood and the cacophony of radio music."
"An old man's memory is an dubious asset."
"Spring's bloom and green explosion, summer's tick and crackle in the forest, autumn's gilded pageant, the rumble and moan of winter gale these sounds, moods and scents of Canada kept me earthbound." Cumulatively, this is Bruce Hutchison's Walden Pond.
Nearing the close of a distinguished career that has seen Hutchison called "our resident conscience" and "the dean of Canada's political commentators, A Life in the Country available in November follows social books such as The Unknown Country (1943), Canada's Lonely Neighbour (1954) and The Unfinished Country (1985), geographic titles such as The Fraser (1950) and Canada: The Year of the Land, a little known but worthwhile B.C. novel called The Hollow Men (1944), an autobiography called The Far Side of the Street (1976) and a nostalgic second work of fiction published at age 80, Uncle Percy's Wonderful Town (1981).
[Autumn / BCBW 1988]
Park Avenue Logger
Alternate Title: Tall Timber
Director: David Howard (Dir)
Release Date: 26 Feb 1937
Production Date: early Dec--22 Dec 1936
Duration (in mins): 65
Duration (in reels): 7
Unaware that for many months his college-educated son Grant has been earning money as a wrestler named "The Masked Marvel," Park Avenue lumber magnate Mike Curran confides in a pyschiatrist that he is concerned about Grant's manliness. On advice from the psychiatrist, Mike decides to send Grant, who has been keeping his wrestler identity a secret out of fear that his father would disapprove, to his Timberlake Camp in Oregon. Anxious to please his father, Grant agrees to learn the family business from the bottom up and accepts his father's stipulation that he pretend to be the son of a friend. In Oregon, Grant, who now calls himself Bill Grant, is hired as a lumberjack by Ben Morton, the Timberlake field manager and, in spite of his unearned reputation as a Park Avenue sissy, quickly learns his trade. In addition, Grant soon ingratiates himself with Peggy O'Shea, the daughter of a rival timber magnate whose financial future has been threatened by a series of lumber car derailments. Unknown to Peggy, Paul Sangar, her father's field boss, has been conspiring with Morton to ruin her father's business by first buying up his bank notes and then sabotaging his lumber shipments. Since implementing the conspiracy, however, Sangar has fallen in love with Peggy and now sees marriage as a more pleasant way of taking over the O'Shea business. Consequently, when Peggy, who has been running the business since her father became an invalid, borrows lumberjacks from Morton so that a crucial contract deadline can be met, Sangar gives Grant the most dangerous assignments. Although Sangar also hires three thugs to beat up Grant at a local dance hall, Grant easily overwhelms his foes in front of Peggy. Sangar then finds a magazine photograph in which Grant is identified as a Curran and, after engineering another train derailment, shows it to Peggy as proof that Grant is behind the sabotage. After Peggy accuses him of the sabotage, Grant buys the O'Shea bank notes and wires his father that Morton has been embezzling company funds and is now in jail. While Mike leaves New York for Oregon, a still angry Peggy agrees to a quick marriage to Sangar. Grant, however, stalls the wedding by planting a friend's watch in Sangar's pocket and accusing his rival of theft in front of a policeman. Sangar and Grant are sent to the local jail, where Mike, who is convinced that his son has lost his mind, is about to have Morton released. After Grant shows his father a signed confession from Morton's auditor implicating him in the bank note conspiracy, however, Mike presses charges against Morton. Exonerated, Grant then proposes to Peggy and is blessed by his father, who finally is convinced of his son's manhood.