SONKINA, Marina




Author Tags: Fiction, Literary Landmarks

LITERARY LANDMARKS: 17 Arbat Street, Moscow

Marina Sonkina grew up in Moscow, about two kilometres from the Kremlin on a famous street called Arbat, which is more than 500 years old. Pushkin’s house was located next door to her school and another famous Russian poet named Bely lived half a block away. Her house still stands near the famous Praga Restaurant at Arbat 2/1 and the Gruerman hospital.

Sonkina has described life on Arbat Street in a short story called 'A Room between The Two Gogols' in her fiction collection, Expulsion and Other Stories. Rybakov’s anti-Stalinist trilogy “The Children of Arbat” describes the destinies of "Arbatians." The celebrated Russian singer Okudzhava has rhapsodized the whimsical soul of Arbat in his songs and poems. At the feet of his monument on Arbat young poets have staged literary bashes under the increasingly malevolent shadow of Putin.

If any writer in B.C. can match the verve and intelligence of Moscow-educated Marina Sonkina, we haven’t met them yet.

Should we also mention that she has a 6’6” son named Yuri Kolokolnikov who plays Stryr in Game of Thrones?

Sonkina’s latest collection of stories from a small literary press, Expulsion & Other Stories (Guernica $20), is nothing short of brilliant. Two-thirds of Expulsion consists of Chekhovian tales of survival set in the Soviet Union, but the longest and first story, ‘Face’, is a 65-page novella about Vancouver—and its apocalyptic ruin.

In ‘Face’ a wealthy industrialist buys his 24-year-old son an old bungalow next to the University Endowment Lands in Point Grey. The actor/narrator Matthew welcomes his freedom as a property owner and vows not to be tempted by the “madness” of the real estate game.

Matthew’s parents have already sold their home in Shaughnessy and paid seventeen million for one of the penthouses atop the 62-floor Living Shangri-La tower but he would rather sleep under a bridge than live in that sealed fish tank.

“With nouveau-riche Chinese gobbling up the city’s real estate and its old Victorian-era houses regularly becoming bulldozer bait,” Matthew dreams instead of opening a splendid new venue for local theatre.

To make ends meet as an out-of-work actor, he decides to rent a tiny basement suite in his bungalow. The first person to respond to his ad is a young woman clothed head to foot “in a hijab or chador or whatever they call it.”

The completely mysterious new lodger, Erin, is seemingly a Moslem. She loves the garden. She wears retro sunglasses. She has a nice figure. Hoping to have a relationship between equals, Matthew pretends to be a fellow renter rather than her landlord.

They have beguiling and often loopy conversations. Maybe she likes him. Erin never has visitors. He knows she has taken a job in a Thrift store. How does a guy get to know a girl when he can never see her face? He follows her. She enters a synagogue. Eventually his fascination with the bizarre lodger leads to a deeply disturbing revelation. Afterwards, Erin confesses she is a sibyl of the Erythian line in the 30th generation, someone who is an oracle who can foretell the future, “but when misfortune strikes, people blame us.”

Viewing Erin as a damsel in deep distress, Matthew dedicates himself to saving her. To do so, he needs money. Matthew hatches a scheme. He will secretly sell the house. But he will only sell it if the offshore buyer promises to let them continue to live there. She need never know. A foreign buyer is found who agrees to let them stay. But the madness of the real estate game has taken hold…

Several of Sonkina’s Soviet-era stories are more impressive and even more memorable, but the audaciousness of ‘Face’ and its completely unpredictable ending makes for a potent artistic response to the feeding frenzy of mini-Trump speculators who have made housing costs in tucked-away, provincial Vancouver on a par with Paris, Hong Kong and London.

Marina Sonkina left her career as a professor at Moscow University to immigrate to Canada as a single mother with two boys, convinced they would be forced into military service for Russia. She found work in the Russian section of Radio Canada International at CBC, in Montreal. One son became a tenured professor of mathematics in Halifax; the other returned to Moscow as a Canadian citizen and has achieved success as an actor.

Sonkina's first two collections of stories in English, Tractorina's Travel and Runic Alphabet, were published by MW Books of Garden Bay, B.C. Locales for her stories include the Bahamas, Moscow, Mexico and California. The stories in her third collection, Lucia's Eyes and Other Stories (Guernica 2011), also draw upon her experiences as a Russian expatriate. With the exception of Lucia's Eyes and Angels, Ascending Descending, most of these stories are drawn from her two preceding volumes. This third volume includes the story called Tractorina's Travels, about a twice-married Russian who is uneasy about Perestroika, and the longest story called Carmelita, about a volatile, Bohemian painter who has a poignant, sensual and ultimately lethal relationship with a much older narrator, Joseph, in Mexico.

Illustrated by colourful propaganda posters from the Stalinist era that glorify Socialism and the Russian people, Comrade Stalin's Baby Tooth (MW Books 2012) is a hardcover, satirical novella that opens with an acerbic but alluring character portrait of Joseph Stalin. This unusual introductory essay describes Stalin's horrific reign with a purposeful glibness, punctuated by a few personal asides about the author's relatives. The grotesqueness and madness of life in the USSR under Stalin is then described through the eyes of eleven-year-old Natasha trying to make sense of the fears and cruelty that encompass everyday life. The story is packaged by designer Wlodzimierz Milewski in the manner of an official document from KGB files and yet it's clearly a personal protest against the absurdity of the totalitarian regime from which Sonkina has fled.

There is a misleading and somewhat ridiculous comparison on Marina Sonkina's book jacket for Expulsion & Other Stories that references Mavis Gallant. Sonkina's ebullient, quick-to-laugh spirit is entirely at odds with the pinched, cold shrewdness of Gallant.

When Marina Sonkina is not teaching literature courses at both UBC and Simon Fraser University, she leads culture trips to Russia and dances the tango. She has no regrets about her move to Canada.

BOOKS:

Runic Alphabet (MW Books)

Tractorina's Travels and Other Stories (MW Books)

Lucia's Eyes and Other Stories (Guernica 2011) $20 978-1-55071-334-3

The Violin That Wanted To See The World (MW Books, 2011). Children's book.

Comrade Stalin's Baby Tooth (MW Books 2012) $29.95 978-0-9868776-2-9

Expulsion & Other Stories (Guernica Editions 2015) Short stories. $20 978-1-55071-945-1

[BCBW 2016]

Author Statement


from website

My first initiation into the world of Academia happened at the age of 18, when I was a freshman at the Moscow State University – enjoying an important seminar presented by the famous scholar, Uri Lotman. Professor Lotman was teaching a course on Russian 18th century Cultural History, writing a detailed bibliography on the class blackboard in French, German, English and, I think, Italian.

We, the newly-fanged scholars and researches, looked at each other in dismay, but didn’t dare to raise any objections.

Accepted into the Great Temple of Philology, we were treated as his equals. And, if we, for some reason, didn’t have the reading knowledge of a given European language, we still had a week until the next seminar to acquire that knowledge! For the next 30 years of my teaching experience, I have been trying to bring this high standard of scholarship into my classrooms.

As a Ph.D student of this professor, I made yet another major discovery: that all aspects of human culture are deeply interconnected — in spite of a seeming fragmentation of the disciplines of those who study culture. In the coming years, I studied philosophy, psychology, film, theatre, folklore and visual arts. Together with my students, I am always fascinated to discover the hidden threads that connect all of our human activities across languages and borders.

In 1987, I emigrated to Canada from the USSR, with my two then small sons, two suitcases, and one hundred dollars — all the Soviet government — a proponent of Marxist materialism in theory but a defender of extreme non-materialism in practice — allowed me to take with me.

I became a producer and broadcaster at CBC Radio — a job I loved. However, subsequent downsizing of CBC took into account my nostalgia for a podium and returned me to teach at Dawson College in Montreal, followed by UBC and Simon Fraser University in Vancouver.

When I don’t teach (or study), I write. Somehow I got to believe since my early childhood that I had to name things in order to understand them. But ultimately, it is my curiosity about human condition that brings me to my desk. As a person, I can only live one life, my horizons inevitably defined by my biography. As a writer, all I need is a magic carpet of fiction to experience infinite lives and circumstances in any part of the globe. Two collections of my novellas and short stories -- Tractorina’s Travels and Runic Alphabet --.were recently published by MW Books. Both books are available on Amazon.com, other online resellers, at Duthie Books and other local stores.

In order to have this proverbial balance in life (but mainly to get away from my computer) I teach yoga and dance tango (with an often unjustified fervor).

In the meantime, my two sons have grown up. One became Professor of Mathematics of Dalhousie University at Halifax, the other a film star in Moscow with 28 eight films in which he acted. When you don’t find me teaching or writing, it means I’m traveling to catch up on the life of my three grandchildren, growing up far away from Vancouver.

-- from her website

Lucia’s Eyes and Other Stories (Guernica $20)
Article



Marina Sonkina still recalls being 18 at Moscow University when her cultural history professor Uri Lotman wrote a detailed bibliography on the blackboard in French, German, English and Italian:

“We, the newly-fanged scholars and researchers looked at each other in dismay,” she recalls, “but didn’t dare to raise any objections. Accepted into the Great Temple of Philology, we were treated as his equals. And, if we, for some reason, didn’t have the reading knowledge of a given European language, we still had a week until the next seminar to acquire that knowledge!”

As a Ph.D student of Lotman, Sonkina learned that a variety of disciplines must be explored to study culture, so she studied philosophy, psychology, film, theatre, folklore and visual arts. In 1987, she immigrated to Canada with her small sons, two suitcases, and one hundred dollars, leaving her job teaching at Moscow University. “It was all the Soviet government—a proponent of Marxist materialism in theory, but a defender of extreme non-materialism in practice—allowed me to take with me.”
Convinced her sons would eventually be forced into military service for Russia, Sonkina has no regrets about her exodus. One son is now a tenured professor of mathematics at Dalhousie in Halifax; the other returned to Moscow as a Canadian citizen and has achieved success as an actor in 28 films.

In Montreal, Sonkina initially found work in the Russian section of Radio Canada International at CBC. Now teaching literature at UBC and SFU, Sonkina has published a diverse, third collection of stories, Lucia’s Eyes and Other Stories (Guernica $20). The longer stories include ‘Tractorina’s Travels,’ about a twice-married Russian who is uneasy about Perestroika, and ‘Carmelita,’ about a volatile, Bohemian painter who has a poignant, sensual and lethal relationship with a much older narrator, Joseph, in Mexico. Sonkina’s new children’s book is The Violin That Wanted To See The World (MW Books).

When not writing and teaching, Marina Sonkina teaches yoga and dances the tango (“with an often unjustified fervor”).
978-1-55071-334-3

[BCBW 2012]


Expulsion & Other Stories
Article (2016)


from BCBW (Spring 2016)
Expulsion & Other Stories by Marina Sonkina (Guernica $20)

If any writer in b.c. can match the verve and intelligence of Moscow-educated Marina Sonkina, we haven’t met them yet.

Should we also mention that she has a 6’6” son named Yuri Kolokolnikov who plays Stryr in Game of Thrones to boot?

Sonkina’s latest collection of stories, Expulsion & Other Stories, is nothing short of brilliant. Two-thirds of Expulsion consists of Chekhovian tales of survival set in the Soviet Union, but the longest and first story, ‘Face’, is a 65-page novella about Vancouver—and its apocalyptic ruin.

In ‘Face’ a wealthy industrialist buys his 24-year-old son an old bungalow next to the University Endowment Lands in Point Grey. The actor/narrator Matthew welcomes his freedom as a property owner and vows not to be tempted by the “madness” of the real estate game.

Matthew’s parents have already sold their home in Shaughnessy and paid seventeen million for one of the penthouses atop the 62-floor Living Shangri-La tower but he would rather sleep under a bridge than live in that sealed fish tank.
“With nouveau-riche Chinese gobbling up the city’s real estate and its old Victorian-era houses regularly becoming bulldozer bait,” Matthew dreams instead of opening a splendid new venue for local theatre.

To make ends meet as an out-of-work actor, he decides to rent out a tiny basement suite in his bungalow. The first person to respond to his ad is a young woman clothed head to foot “in a hijab or chador or whatever they call it.”

The completely mysterious new lodger, Erin, is seemingly a Moslem. She loves the garden. She wears retro sunglasses. She has a nice figure. Hoping to have a relationship between equals, Matthew pretends to be a fellow renter rather than her landlord.

They have beguiling and often loopy conversations. Maybe she likes him. Erin never has visitors. She has taken a job in a thrift store. How does a guy get to know a girl when he can never see her face? He follows her.

Bizarrely she enters a synagogue. His fascination with the lodger leads to a deeply disturbing revelation. Afterwards, Erin confesses she is a sibyl of the Erythian line in the 30th generation, someone who is an oracle who can foretell the future, “but when misfortune strikes, people blame us.”

Viewing Erin as a damsel in deep distress, Matthew dedicates himself to saving her. To do so, he needs money. Matthew hatches a scheme. He will secretly sell the house. But he will only sell it if the offshore buyer promises to let them continue to live there. She need never know. A foreign buyer is found who agrees to let them stay. But the madness of the real estate game has taken hold…

Several of Sonkina’s Soviet-era stories are more impressive and even more memorable, but the audaciousness of ‘Face’ and its completely unpredictable ending makes for a potent artistic response to the feeding frenzy of mini-Trump speculators who have made housing costs in tucked-away, provincial Vancouver on a par with Paris, Hong Kong and London.

978-1-55071-945-1