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Biography supplied by Blue Lake Books
Margaret Hollingsworth's formative years were spent in Britain where she won a national playwriting contest at the age of 16. While in England she worked in scientific research, publishing, theatre, and as a mobile librarian. She spent a year in Verona, Italy and travelled around the world, supporting herself as a freelance journalist and foreign correspondent. She immigrated to Canada in 1968, moving first to Montreal and then to Thunder Bay where she again worked as a librarian. She left Thunder Bay to undertake BA in psychology at Lakehead University.
Margaret loved living in Northwestern Ontario, and the area provided a backdrop for some of the first plays she wrote in Canada, including Operators and Bushed. While at Lakehead, she began to write seriously, finishing the first draft of a novel before going on to graduate studies in the Creative Writing Department at UBC in Vancouver. She earned an MFA in theatre and creative writing while working as a reader, recording books for the blind. She launched herself as a freelance writer, living on Galiano Island and specialising in stage, film and radio, and went on to teach writing at David Thompson University in Nelson, B.C.
In 1982, Margaret moved to Toronto where she won several awards for playwriting. She continued to publish short stories and essays in literary journals like The Malahat Review and Canadian Fiction. She achieved her ambition of working in Montreal when she was appointed Writer-in-Residence at Concordia University. In 1989, she was Writer-in-Residence at the University of Western Ontario. A collection of her stories was published at this time under the title Smiling Under Water.
It is not possible to categorize Margaret's drama, but some of it has been described as edgy and experimental. Aware that this kind of work is rarely celebrated on our professional stages, Margaret self-published a book of short, experimental plays under the title Endangered Species. The collection is one of her most successful published works. The plays have been widely produced in colleges, schools and universities, and dissected in academic journals. [She is grateful for her association with Richard Pochenko whose method of teaching clowning provided support for her ideas.]
Ms. Hollingsworth has also been described as a feminist writer, and while she does not dispute that much of her work has feminist overtones, she has striven to make her messages universal. Her concern has been to provide work for women actors.
In 1992, Margaret returned to British Columbia to teach creative writing at the University of Victoria. She was appointed Associate Professor in 1993. Two new plays were produced after her move back to B.C. In Confidence premiered in Vancouver, produced by the New Play Centre, and it was also produced by Buddies in Bad Times in Toronto. The play went on to be translated into German and to run for over a year in Berlin. It was subsequently turned into a TV play under the title Saying It, and those involved were nominated for Gemini Awards. Blowing up Toads premiered in the PlayRites festival at Alberta PlayWorks and was later re-written and published under the title The Commonwealth Games in a re-issue of her play collection Willful Acts, by Talon Books. A two-act play O Positive (unpublished and yet to be produced) was given a staged reading at the Finborough Theatre in London England, and received a special judge's award at the Edward Albee Conference in Alaska. Deep Song (unpublished and unproduced) received a staged reading by Paine's Plough Theatre in London. Poppycock, a play she wrote for Richard Pochenko, was produced at the Battersea Arts Club in London, England in 1999.
Her best known essay "Why we don't write,"; published in Canadian Theatre Review (1985) concerns the absence of women's work in the stage repertoire. It is still used in drama courses and she continues to write essays and stories. Her autobiographical essay "Deaf Music"; appears in Going Some Place (Coteau Books) and has been anthologised by the Oxford University Press. Her story "Beyond Closure,"; which appeared in The Capilano Review was nominated for a B.C. magazine award and a Journey Prize. Shortly afterward, Margaret began the long process of writing and research that culminated in the publication of her first novel Be Quiet.
Margaret Hollingsworth's papers are in the archives of the University of Victoria where she is a Professor Emeritus.
Margaret loved living in Northwestern Ontario, and the area provided a backdrop for some of the first plays she wrote in Canada, including Operators and Bushed. While at Lakehead, she began to write seriously, finishing the first draft of a novel before going on to graduate studies in the Creative Writing Department at UBC in Vancouver. She earned an MFA in theatre and creative writing while working as a reader, recording books for the blind. She launched herself as a freelance writer, living on Galiano Island and specialising in stage, film and radio, and went on to teach writing at David Thompson University in Nelson, B.C.
In 1982, Margaret moved to Toronto where she won several awards for playwriting. She continued to publish short stories and essays in literary journals like The Malahat Review and Canadian Fiction. She achieved her ambition of working in Montreal when she was appointed Writer-in-Residence at Concordia University. In 1989, she was Writer-in-Residence at the University of Western Ontario. A collection of her stories was published at this time under the title Smiling Under Water.
It is not possible to categorize Margaret's drama, but some of it has been described as edgy and experimental. Aware that this kind of work is rarely celebrated on our professional stages, Margaret self-published a book of short, experimental plays under the title Endangered Species. The collection is one of her most successful published works. The plays have been widely produced in colleges, schools and universities, and dissected in academic journals. [She is grateful for her association with Richard Pochenko whose method of teaching clowning provided support for her ideas.]
Ms. Hollingsworth has also been described as a feminist writer, and while she does not dispute that much of her work has feminist overtones, she has striven to make her messages universal. Her concern has been to provide work for women actors.
In 1992, Margaret returned to British Columbia to teach creative writing at the University of Victoria. She was appointed Associate Professor in 1993. Two new plays were produced after her move back to B.C. In Confidence premiered in Vancouver, produced by the New Play Centre, and it was also produced by Buddies in Bad Times in Toronto. The play went on to be translated into German and to run for over a year in Berlin. It was subsequently turned into a TV play under the title Saying It, and those involved were nominated for Gemini Awards. Blowing up Toads premiered in the PlayRites festival at Alberta PlayWorks and was later re-written and published under the title The Commonwealth Games in a re-issue of her play collection Willful Acts, by Talon Books. A two-act play O Positive (unpublished and yet to be produced) was given a staged reading at the Finborough Theatre in London England, and received a special judge's award at the Edward Albee Conference in Alaska. Deep Song (unpublished and unproduced) received a staged reading by Paine's Plough Theatre in London. Poppycock, a play she wrote for Richard Pochenko, was produced at the Battersea Arts Club in London, England in 1999.
Her best known essay "Why we don't write,"; published in Canadian Theatre Review (1985) concerns the absence of women's work in the stage repertoire. It is still used in drama courses and she continues to write essays and stories. Her autobiographical essay "Deaf Music"; appears in Going Some Place (Coteau Books) and has been anthologised by the Oxford University Press. Her story "Beyond Closure,"; which appeared in The Capilano Review was nominated for a B.C. magazine award and a Journey Prize. Shortly afterward, Margaret began the long process of writing and research that culminated in the publication of her first novel Be Quiet.
Margaret Hollingsworth's papers are in the archives of the University of Victoria where she is a Professor Emeritus.
Submitted on February 21, 2004 in By David.
