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Background materials
American Indian Art Magazine 19 (Spring 1994): 104. [reproduction]
Canadian Museum of Civilization, ed. In the Shadow of the Sun: Perspectives on Contemporary Native Art. Hull, Québec: The Museum, 1993.
Coe, Ralph. Sacred Circles. London, England: Arts Council of Great Britain, 1976.
Hawthorn, Audrey. Kwakiutl Art. Seattle, Washington: University of Washington Press, 1979.
Holm, Bill. The Box of Daylight: Northwest Coast Indian Art. Seattle, Washington: University of Washington Press, 1983.
Holm, Bill. "The art of Willie Seaweed, a Kwakiutl master." In The Human Mirror, Material and Spatial Images of Man, ed. Miles Richardson. Baton Rouge, Louisiana: Louisiana State University Press, 1974.
Holm, Bill. The Crooked Beak of Heaven: Masks and Other Ceremonial Art of the Northwest Coast. Seattle, Washington: University of Washington Press, 1972.
Holm, Bill. Northwest Coast Indian Art: An Analysis of Form. Seattle, Washington: University of Washington Press; Vancouver, British Columbia: Douglas & McIntyre, 1965.
Holm, Bill. Smoky-Top: The Art and Times of Willie Seaweed. Vancouver, British Columbia: Douglas & McIntyre, 1983.
Holm, Bill. Spirit and Ancestor: A Century of Northwest Coast Indian Art at the Burke Museum. Seattle, Washington: University of Washington Press, 1973.
Hoover, Alan L. "Charles Edenshaw: His art and audience." American Indian Art Magazine 20, no. 3 (Summer 1995): 44-53.
La Violette, Forest. The Struggle for Survival: Indian Cultures and the Protestant Ethic in British Columbia. Toronto, Ontario: University of Toronto Press, 1973.
Macnair, Peter, Alan Hoover, and Kevin Neary. The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, British Columbia: Douglas & McIntyre, 1984. Originally published: Victoria, BC: British Columbia
Provincial Museum, 1980.
Malin, Edward. Totem Poles of the Pacific Northwest Coast. Portland, Oregon: Timber Press, 1986.
Malin, Edward. Review of Smoky-Top: The Art and Times of Willie Seaweed by Bill Holm. American Indian Art Magazine 12 (Winter 1986): 69.
Stewart, Hillary. Looking at Indian Art of the Northwest Coast. Seattle, Washington: University of Washington Press, 1979.
Thornton, Mildred Valley. Indian Lives and Legends. Vancouver, British Columbia: Mitchell Press, 1966.
Canadian Museum of Civilization, ed. In the Shadow of the Sun: Perspectives on Contemporary Native Art. Hull, Québec: The Museum, 1993.
Coe, Ralph. Sacred Circles. London, England: Arts Council of Great Britain, 1976.
Hawthorn, Audrey. Kwakiutl Art. Seattle, Washington: University of Washington Press, 1979.
Holm, Bill. The Box of Daylight: Northwest Coast Indian Art. Seattle, Washington: University of Washington Press, 1983.
Holm, Bill. "The art of Willie Seaweed, a Kwakiutl master." In The Human Mirror, Material and Spatial Images of Man, ed. Miles Richardson. Baton Rouge, Louisiana: Louisiana State University Press, 1974.
Holm, Bill. The Crooked Beak of Heaven: Masks and Other Ceremonial Art of the Northwest Coast. Seattle, Washington: University of Washington Press, 1972.
Holm, Bill. Northwest Coast Indian Art: An Analysis of Form. Seattle, Washington: University of Washington Press; Vancouver, British Columbia: Douglas & McIntyre, 1965.
Holm, Bill. Smoky-Top: The Art and Times of Willie Seaweed. Vancouver, British Columbia: Douglas & McIntyre, 1983.
Holm, Bill. Spirit and Ancestor: A Century of Northwest Coast Indian Art at the Burke Museum. Seattle, Washington: University of Washington Press, 1973.
Hoover, Alan L. "Charles Edenshaw: His art and audience." American Indian Art Magazine 20, no. 3 (Summer 1995): 44-53.
La Violette, Forest. The Struggle for Survival: Indian Cultures and the Protestant Ethic in British Columbia. Toronto, Ontario: University of Toronto Press, 1973.
Macnair, Peter, Alan Hoover, and Kevin Neary. The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, British Columbia: Douglas & McIntyre, 1984. Originally published: Victoria, BC: British Columbia
Provincial Museum, 1980.
Malin, Edward. Totem Poles of the Pacific Northwest Coast. Portland, Oregon: Timber Press, 1986.
Malin, Edward. Review of Smoky-Top: The Art and Times of Willie Seaweed by Bill Holm. American Indian Art Magazine 12 (Winter 1986): 69.
Stewart, Hillary. Looking at Indian Art of the Northwest Coast. Seattle, Washington: University of Washington Press, 1979.
Thornton, Mildred Valley. Indian Lives and Legends. Vancouver, British Columbia: Mitchell Press, 1966.
Submitted on October 2, 2004 in By David.
