John Newlove Documentary Screening / Book Launch

Hosted by Jamie Reid, with readings/talk by Jamie Reid and Jeff Derksen

Filmmaker/editor Robert McTavish in attendance.

8pm, Friday, February 8th

The Western Front (303 East 8th Avenue,
Vancouver, British Columbia)
$5 admission, $3 students and unemployed. cash bar.

Come celebrate the life and work of poet John Newlove with a screening of
the documentary What to make of it all? The life and poetry of John
Newlove, and the Vancouver launch of Chaudiere Books' A Long Continual
Argument: The Selected Poems of John Newlove, edited by Robert McTavish.

About A Long Continual Argument: The Selected Poems of John Newlove:

A Long Continual Argument is the comprehensive statement of an
acknowledged poetic master craftsman. It includes all the poems John
Newlove chose for his previous selected poems with substantial
additions from all his major collections. All of his later poetry
has been included, as well as integral, critically-acclaimed works
such as the long poem "Notes From And Among the Wars," and many of the
cynically lyric poems that established his early reputation. From his
first chapbook in 1961 to his final epigrammatic poems of the late
1990s, Newlove has been a quiet poetry dealing with unquiet themes. A
poetry that, in the words of Phyllis Webb, "doesn't struggle for
v meaning. It emerges out of his thinking."

John Newlove (1938-2003) was born and raised in Saskatchewan. He began
publishing while working various jobs in Vancouver in the 1960s. His many
honours included the 1972 Governor General's Award for his book Lies, and
the Saskatchewan Writers Guild Founders Award. His works have been
internationally published and translated.

"Newlove was the best of us, the great line, the hidden agenda,
tough as nails and yet somehow with his heart on his sleeve. There was
always a double-take involved when reading his work. His lyrics,
such as "The Weather" were faultless. I devoured and loved his work.
--Michael Ondaatje

To call him "the voice of prairie poetry" misses the target by as
broad a margin as if you called John Milton "the voice of Cromwell's
London." This was the voice of a man who knew what it was like to
almost drown, to gasp for air, to almost drown again. His poetry
delivered a blow to the head then, and it does now. It will be seen
again for what it was, and is: major in its time and place.
--Margaret Atwood
(from John Newlove: Essays on His Works, forthcoming)