With his Manlike Monsters on Trial: Early Records and Modern Evidence (UBC Press, 1980), co-edited with Marjorie Halpin, Michael M. Ames recounted how distortions can arise from the pretensions of objectivity. In BC Studies, No. 49, Spring 1981, he wrote about the role of museum anthropologists and their parts in the renaissance of Aboriginal Northwest Coast art. He continued to critically delve into the roles of museums in Museums, the Public and Anthropology: A Study in the Anthropology of Anthropology (New Delhi: Concept Publishing; UBC Press, 1986) and Cannibal Tours and Glass Boxes: The Anthropology of Museums (UBC Press, 1992). Born on June 19, 1933 in Vancouver, Michael M. Ames was an Emeritus Professor of Anthropology at the University of B.C. who received the Order of Canada and the Weaver-Tremblay Award for Exceptional Contributions to Canadian Applied Anthropology. He was a Fellow of the Royal Society of Canada and a Fellow of Canadian Museums Association. He died in 2006.

Review of the author's work by BC Studies:
Cannibal Tours and Glass Boxes: The Anthropology of Museums
Manlike Monsters on Trial: Early Records and Modern Evidence


BOOKS:

Ames, Michael M. & Marjorie Halpin (editors). Manlike Monsters on Trial: Early Records and Modern Evidence (UBC Press, 1980).
Ames, Michael M. Museums, the Public and Anthropology: A Study in the Anthropology of Anthropology (New Delhi: Concept Publishing House; UBC Press, 1986).
Ames, Michael M. Cannibal Tours and Glass Boxes: The Anthropology of Museums (UBC Press, 1992).

[BCBW 2006] "Anthropology" "First Nations"