Born in Vancouver in 1945, Keith Harrison grew up on the West Coast and studied at UBC, where he took a creative writing course from Earle Birney, he played for Canada's National Field Hockey team, and he graduated with an Honours English degree in 1967. He moved to California, receiving an MA from Berkeley in 1968. Returning to Canada, he completed a Ph.D (Dean's Honours List, 1972) at McGill University, writing on the works of Malcolm Lowry. For nearly two decades he lived and worked in Montreal, teaching primarily at Dawson College. In 1991 Keith Harrison returned to B.C., and began teaching at Malaspina University-College, known as Vancouver Island University.

He lives primarily on Hornby Island with his wife JoAnn, a film producer and fabric artist, whom he met in grade four. In addition to his books of fiction, Harrison has written scholarly articles focused on such writers as Byron, Patrick Lane, Pat Lowther, Gabriel Garcia Marquez, Melville, Ian McEwan, Ondaatje and Shakespeare. He has also written essays on documentary film, comics, exploration literature, narrative theory and ice hockey.

In a nutshell: Harrison has written a group of stories, Crossing the Gulf (1998), which contains a piece that won the Okanagan Short Story Award, and he has also edited an anthology of short fiction, Islands West: Stories from the Coast (2001). His five novels are Dead Ends (1981), a tale of two cities, Vancouver and Montréal, After Six Days (1985), about a couple of contemporary couples, Eyemouth (1990), set mainly in Scotland during the French Revolution and its aftermath and taking the form of letters, Furry Creek (1999), a documentary fiction exploring the life, death, and art of Pat Lowther, and Elliot & Me (2006), a doubled-voiced narrative about a mother and her teenaged son. His literary papers are archived in Special Collections, The Simon Fraser University Library.

Keith Harrison's 'non-fiction novel' Furry Creek: A True-Life Novel (Oolichan, $17.95) is literary archaeology-a hybrid of court transcripts, letters, literary criticism, poetry, 'quasi-biography' and shards of autobiography. It investigates the murder of poet Pat Lowther by her husband and also pays homage to her life and work. Harrison first encountered Lowther's writing while teaching poetry at Dawson College in Montreal, prior to Lowther's murder. At the time he was drawn by her West Coast imagery. The attraction to Lowther's poetry remains at the exploratory heart of Furry Creek 25 years later. "The first piece I wrote about her appeared in Canadian Literature,"; he says. "At the time I didn't want to resolve things into clean sentences and shapely paragraphs. I wanted to stay close to the words, to the sounds of the words. As a scholar and as a novelist, I wanted to bring her life and her place into some kind of resonance. I wanted to write something that would be respectful of her work, but would also be a jumping off place for my own.";

Harrison went to the Vancouver Court House to get trial records and was surprised to learn that not all court records are kept and, if they are kept, they are not available to the public. He wrote a letter to Chief Justice Dohm requesting access to the Lowther transcripts. Beth Lowther was visiting Judge Dohm trying to get access to a rare photograph of her mother. Judge Dohm passed along Keith Harrison's phone number and Pat Lowther's daughter, Beth, got in touch. "I had intended not to contact the family at all,"; says Harrison. "Partly I didn't want to invade their privacy and partly I wanted to retain my independent view of things. But Beth Lowther was enormously generous. And so was Christine Lowther. The estate gave me permission to quote from Pat Lowther's work. It was a real turning point for me. The end result is a mediated biography of sorts. Now we have this remarkable second wave. We have gone from silence about Pat Lowther for over a decade to all this activity. So silence doesn't necessarily mean neglect; sometimes it can mean gestation.";

According to Oolichan Books, Harrison's novel Elliot & Me is "a tender, funny, moving double narrative about two people who don't understand each other. Elliot is a bright, reckless 17-year old who has just quit school late in his graduating year. Megan, his mother, is a woman who is haunted by the death of her father while she was 'traipsing' through China, and is tired of being viewed as a beautiful work of art. The threatened return of Elliot's father, Jack, a huge American ex-ballplayer, causes Megan and Elliot to flee from their home in East Vancouver to Hornby Island. Here, in an idyllic and very photogenic setting, this displaced odd couple-an angst-ridden, vibrant, self-destructive teenager and his inwardly questing mother whose physical loveliness makes her a target for other people's dreams-experience a highly consequential summer."

Harrison's 1990 diary style novel Eyemouth recalls a maritime disaster that killed his great-grandfather who lived in Eyemouth, Scotland. Nineteen years later Harrison was invited to Eyemouth as a featured speaker for the town's literary festival. Eyemouth was described in The Montreal Gazette as "an audacious work of art." It was a finalist for QSPELL's Hugh MacLennan Fiction Prize and chosen by Mark Abley on Montreal CBC radio as Book of the Year. In the essay about Eyemouth below, he writes, "For me, the writing of a novel has affinities with my ancestral traditions of fishing. Repeatedly, you go out into the wet cold dark, float around, steer a little this way, then that, bait the hooks with numb fingers, try not to fall overboard, a big wave washes over you, you try not to lose your footing, feel chilled and taste too much salt in your mouth, but still hope to catch something, or at least make it back to shore safely."

Keith Harrison's understated love story, The Missionary, The Violinist and the Aunt Whose Head Was Squeezed (Oolichan $18.95), is a non-fiction work braiding more family history, travel writing and cultural anthropology.

It was followed by Shakespeare, Bakhtin, and Film: A Dialogic Lens (Palgrave Macmillan, 2017), a study of Mikhail Bakhtin who, while living under Stalin, according to Harrison, "developed bold ideas about the carnivalesque, dialogue, and the chronotope." Harrison makes use of these concepts to help illuminate the creativity behind the global proliferation of Shakespeare on screen.

Finalist for Best First Novel in Canada Award, 1981;
Finalist for QSPELL Hugh MacLennan Fiction Prize, 1990,
Okanagan Short Story Award, 1991;
Finalist for the Ethel Wilson Fiction Prize, 1999;
Selected for the BC 2000 Award.

BIBLIOGRAPHY:

Shakespeare, Bakhtin, and Film: A Dialogic Lens (Palgrave Macmillan, 2017)
The Violinist and the Aunt Whose Head Was Squeezed (Oolichan 2010). 978-088982-265-8.
Elliot & Me (novel): Oolichan, 2006
(Editor of) Islands West: Stories from the Coast: Oolichan, 2001.
Furry Creek (non-fiction novel): Oolichan, 1999. 88982-182-8
Crossing the Gulf (short stories): Oolichan, 1998.
Eyemouth (novel): Goose Lane, 1990.
After Six Days (novel): Goose Lane, 1985.
Dead Ends (novel): Quadrant, 1981.

EMPLOYMENT OTHER THAN WRITING: Departments of English and Creative Writing & Journalism at Malaspina University-College

PHOTO by Marlis Funk

[Alan Twigg / BCBW 2009] "Fiction" "Literary Biography"